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| Record 121 of 289 |
| Author | Grendler, Paul F. |
| Title | “What Zuanne Read in School: Vernacular Texts in Sixteenth-Century Venetian Schools.” |
| Citation | Grendler, Paul F. “What Zuanne Read in School: Vernacular Texts in Sixteenth-Century Venetian Schools.” The Sixteenth Century Journal 13, no. 1 (1982). 41-53. | Display Full Record |
| Record 122 of 289 |
| Author | Grendler, Paul F. |
| Title | "The Organization of Primary and Secondary Education in the Italian Renaissance." |
| Citation | Grendler, Paul F. "The Organization of Primary and Secondary Education in the Italian Renaissance." The Catholic Historical Review 71 (April 1985): 185-205. | Display Full Record |
| Record 123 of 289 |
| Author | Haar, James |
| Title | "Lessons in Theory from a Sixteenth-Century Composer." |
| Citation | Haar, James. "Lessons in Theory from a Sixteenth-Century Composer." In Altro Polo: Essays on Italian Music in the Cinquecento, ed. R. Charteris. Sydney, 1990, pp. 51–81. Rpt. in The Science and Art of Renaissance Music, edited by Paul Corneilson. Princeton: Princeton University Press, 1998. | Display Full Record |
| Record 124 of 289 |
| Author | Haas, Max. |
| Title | "Studien zur mittelalterlichen Musiklehre I: Eine Übersicht über die Musiklehre im Kontext der Philosophie des 13. und frühen 14. Jahrhunderts." |
| Citation | Haas, Max. "Studien zur mittelalterlichen Musiklehre I: Eine Übersicht über die Musiklehre im Kontext der Philosophie des 13. und frühen 14. Jahrhunderts." Forum musicologicum III (1982), 93-163 and 323-456. [EARLY: 13th and 14th centuries.] | Display Full Record |
| Record 125 of 289 |
| Author | Haenen, Greta |
| Title | "Der Sanger und das Madrigal: Der Interpret und die Neue Musik" |
| Citation | Haenen, Greta. "Der Sanger und das Madrigal: Der Interpret und die Neue Musik." In Orlandus Lassus and his time. Yearbook of the Alamire Foundation, 1. Peer: Alamire, 1994, pp. 347-360. | Display Full Record |
| Record 126 of 289 |
| Author | Haggh, Barbara |
| Title | “Foundations or Institutions? On Bringing the Middle Ages into the History of Medieval Music.” |
| Citation | Haggh, Barbara. “Foundations or Institutions? On Bringing the Middle Ages into the History of Medieval Music.” Acta Musicologica 68 (1996): 87-128. [Centers on the distinction between foundations and institutions. Gives an overview of the importance of foundations to late medieval/early modern musical practices. Discusses choirboys passim with references to specific documents.] | Display Full Record |
| Record 127 of 289 |
| Author | Haggh, Barbara. |
| Title | "Singers and Scribes in the Secular Churches of Brussels." |
| Citation | Haggh, Barbara. "Singers and Scribes in the Secular Churches of Brussels." In Music and Musicians in Renaissance Cities and Towns, edited by Fiona Kisby. Cambridge: Cambridge University Press, 2001, pp. 143-56. | Display Full Record |
| Record 128 of 289 |
| Author | Hanhan, Alison. |
| Title | "The Musical Studies of a Fifteenth-Century Wool Merchant." |
| Citation | Hanhan, Alison. "The Musical Studies of a Fifteenth-Century Wool Merchant." Review of English Studies 8 (1957): 270-4. [Includes payment records for lessons with Calais harper 1473-5] | Display Full Record |
| Record 129 of 289 |
| Author | Hardman, Phillipa |
| Title | "'This Litel Child, His Litel Book': Narratives for Children in Late-Fifteenth-Century England." |
| Citation | Hardman, Phillipa. "'This Litel Child, His Litel Book': Narratives for Children in Late-Fifteenth-Century England." Journal of the Early Book Society 7 (2004): 51-66. [Does not discuss music.] | Display Full Record |
| Record 130 of 289 |
| Author | Harràn, Don. [Harran] |
| Title | "Madame Europa, Jewish Singer in Late Renaissance Mantua." |
| Citation | Harràn, Don. "Madame Europa, Jewish Singer in Late Renaissance Mantua." In Festa Musicologia: Essays in Honor of George J. Buelow. Ed. Thomas J. Mathiesen and Benito V. Rivera. Festschrift series, no. 14. Stuyvesant, NY: Pendragon Press, 1995. Pp. 198-204. | Display Full Record |
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